Singer sewing machines, objects charged with collective memory and family histories, evoke a transfigured past brought back to the present and decontextualized. In the performance Sewing Machine Orchestra, eight domestic machines, collected and diverted from their utilitarian function, become the instruments of Martin Messier. He orchestrates a choreography of movement, activating mechanical motors and contact microphones scattered around the machines.
This work reveals the sound and light potential of this familiar object. Unsettling by virtue of the agitation it generates, this performance is punctuated by a series of tableaux of sometimes oppressive rhythm and intensity.
The omnipresent light accentuates the spectral effect of the installation. It transcends the overall choreography and casts the shadows of these ghostly objects, symbolically reanimating an industrial and domestic past. Sewing Machine Orchestra, also available as an installation, invites us to take part in an unsettling experiment on our ties to collective memory and its materiality.
Concept, performance, programming, light and music
Martin Messier
Electronic
Samuel St-Aubin
Photos credits
Alexis Bellavance