In Con Grazia, Martin Messier and choreographer Anne Thériault become human detonators, breaking the tension of a performative opus dedicated to the demolition of everyday objects. Together, they sound the death knell for elements of porcelain crockery, paradoxically returning to its physical materiality - elements made of dust - and exploring the sonic and visual potential of this deconstruction.
Their precisely-rehearsed gestures hammer out a score of clicks and clashes. In this radical performance, the hands think as much as they strike: they activate light sources that draw visual landscapes while shattering into pieces these objects chosen for their spherical harmony. In the shadow of this meticulous, performative destruction, machines rumble and roar, ready to create chaos. The entire mechanical apparatus caresses what destruction has stripped of beauty.
Martin Messier and Anne Thériault pulverize with grace, torturing ripe fruit in an intensely sensory musical and rhythmic carnage. A disturbing ode to the agony of the material world and the beauty of the invisible.
Produced by
14 lieux + Lorganisme
Ideation
Martin Messier
Directed, co-created and performed by
Martin Messier + Anne Thériault
Lighting design
Martin Messier + Anne Thériault + Jean-François Piché
Music
Martin Messier
Visual design
Thomas Payette
Technicians during creative process
Dominique Hawry + Maxime Bouchard
Robotics
Louis Tschreiber
Outside eye
Patrick Lamothe
Robots manufacturing and technical production
Robocut
Text
Jessie Mill for Festival TransAmériques
Coproduction
Festival TransAmériques
Résidences de création
Circuit-Est Centre chorégraphique + Théâtre Hector-Charland (L’Assomption)
Support
CALQ, CAC, CAM